it seems, whatever jojo mayer touches, turnes into something beautiful, spectacular and highly aesthetic. his film “changing time” turns out to be one of the best music-documentaries out there, giving insight to personal history, creative thinking just as everyday life moments of one of the most proficient ad innovative drumming musicians on our planet. an absolute must watch!
with the drumKAT, u.s.-american manufacturer kat inc. / alternate mode developed the probably best and most complex percussive midi controller ever built. it is a dinosaur, but one that even today still knows how to impress. i wrote a little “secret tip electronics” on bonedo.de featuring my very own drumKAT, version 3.8 – unfortunately german language only.
with sensory percussion, new york / los angeles based drumtech-company sunhouse have started a true revolution. their unseen sensor-technology in combination with their software application enables the modern drummer to enter a whole new world with a sensory-percussionized acoustic kit – including all new and creative possibilities to manipulate sounds. i was lucky enough to get a four-sensor-complete-kit, which i recently introduced, explained and reviewed on bonedo.de in word, pic & video
(only in german language).
los angeles based software developers output created “exhale”,
a truly groundbreaking innovation when it comes to working with vocal sounds:
exhale is a playable vocal engine built for producers, composers, artists and sound designers. it’s the first truly modern vocal engine. and that’s just exactly my thing!
in the past years i have been in regular contact with andrew robertson from the centre of digital music at london’s queen mary university. he has been working on his vision of a device to make ableton live follow the tempo provided by a live drummer. he later came up with “b-keeper” a maxforlive device, which did quiet a good job. and now, this has turned into “beat seeker”, a handy and simple to use piece of magic. just switch between variable and fixed tempo using a midi controller or footswitch. this maxforlive device is fantastic for everyone who wants to free himself from having to play to a clicktrack, as soon as a sequencer running.
dj & producer jim pavloff impressing us with his mindblowing reconstruction of the prodigy’s big beat classic “smack my bitch up”. done in 2009 on ableton live 8,
the video is unveiling the original samples and production methods used for the creation of the track, clearly showing the genuis of the 1997 original. Isn’t it amazing, what big ears, skills, creatitivity and ableton live can do..?!